Thursday, 3 January 2019

Live Recordings List 2019

I recently asked the question what live recordings should I listen to? You did me proud in your responses. I've compiled them here in alphabetical order so you can enjoy them too; 

  1. 801 live, Brian Eno and Phil Manzanera
  2. AC DC, If You Want Blood 
  3. Alex Chilton, Electricity by Candlelight
  4. Allman Brothers Band at Fillmore East
  5. And One, Live
  6. Anti-Nowhere League, Live in Yugoslavia
  7. Bad brains, Live at CBGB OMFUG 1982
  8. Bauhaus, Press the eject button and pass me the tape
  9. BB King, Live at the Regal
  10. Be Bop Deluxe, Live In The Air Age
  11. Big Big Train, Merchants of light
  12. Bill Nelson, Tripping The Light Fantastic
  13. Black Crowes and Jimmy Page, Live at the Greek
  14. Bob Dylan and the Rolling Thunder Revue, Live 1975
  15. Bob Marley and the Wailers, Babylon by Bus
  16. Bob Marley and the Wailers. Live at the Rainbow
  17. Brand X, Livestock, Billy Cobham & George Duke band live on tour in Europe
  18. Bruce Springsteen and The E Street Band, Live in New York City 
  19. Cardiacs, All That Glitters Is A Mare's Nest
  20. Cardiacs, Live
  21. Cramps, Smell Of Female
  22. Cream, Live 
  23. Dan Hicks and His Hot Licks, Where’s the money?
  24. David Bowie, Cracked Actor
  25. David Bowie,Welcome to the Blackout
  26. David Bowie; Santa Monica '72, David Live' 74, The Thin White Duke, Nassau '76
  27. Deep Purple, live in Japan
  28. Depeche Mode, 101
  29. Derek and the Dominos live at the Fillmore
  30. DEV-O, Live The Mongoloid Years
  31. Devo, Live EP
  32. Doors, Absolutely Live
  33. Dr. Feelgood, Stupidity 
  34. Duke Ellington, Newport
  35. Elvis Costello and Nieve in USA is really really good
  36. Erasure’s Two Ring Circus
  37. Fleetwood Mac, The Dance.
  38. Frank Zappa Fillmore 
  39. Frank Zappa: Does Humour Belong in Music, 
  40. Frank Zappa: In New York, 
  41. Frank Zappa: Make a Jazz Noise Here, 
  42. Frank Zappa: Roxy & Elsewhere,
  43. Frank Zappa: The Best Band You Never Heard 
  44. Frank Zappa: Tinseltown Rebellion, 
  45. Free, Live
  46. Frightened Rabbit, Quietly Now!, Liver!Lung!Fr!
  47. Gary Numan, Living Ornaments
  48. Genesis,Seconds Out
  49. George Harrison, Memorial Concert
  50. George Lewis, Jazz Funeral at New Orleans
  51. Grateful Dead, Beacon Theatre, New York June 14th, 1976 (Double CD)
  52. Hanoi Rocks, All Those Wasted Years
  53. Hanoi Rocks, All Those Wasted Years.
  54. Hawkwind,  Space Ritual
  55. Hawkwind, Live ’79
  56. Heartbreakers, D.T.K. Live at the Speakeasy
  57. Hendrix, Live in the West
  58. Humble Pie, Rockin’ The Fillmore
  59. Humble Pie, Rockin’ The Fillmore
  60. Husker Du, Land Speed Record 
  61. Interpol, Turn on the Bright Lights
  62. Iona, Heavens Bright Sun
  63. James Brown, at the Apollo
  64. Japan, Oil on Canvas.
  65. Jason Isbell and the 400 Unit, Live In Alabama
  66. Jeff Beck, Live at the Hollywood Bowl 
  67. Jerry Lee Lewis, Live at the star club
  68. Jerry Lee Lewis, Live at the Star Club
  69. Jethro Tull, Bursting Out
  70. Jimi Hendrix live at the Fillmore East (new years eve 1969). This double album starts before midnight & continues into the 1st Jan 1970. You get to hear the last moments of the 1960's...
  71. Jimi Hendrix, Band Of Gypsys
  72. Joe Satriani, Live in San Francisco 
  73. John Mayall, The Turning Point
  74. John Mayall, The Turning Point.
  75. Johnny Cash, Folsom Prison, 1968
  76. Johnny Marr Live, Adrenalin Baby
  77. Johnny Winter, live
  78. Jonathan Richman and the Modern Lovers, Live
  79. Joni Mitchell, Shadows & Light
  80. Joy Division, Les Bains Douches
  81. Judas Priest, Live Priest
  82. Julia Holter, In the same room 
  83. Kate Bush,Before the Dawn
  84. Killing Joke, Ha
  85. Killing Joke, laugh at your peril
  86. Killing Joke, Live at the Forum, 2008
  87. King Crimson, UK, After Night and USA
  88. Kiss, Alive 2 
  89. Led Zeppelin, How the west was won, California 1974.
  90. Little Feat, Waiting for Columbus
  91. Live and Dangerous, Thin Lizzy
  92. Loggins and Messina, On Stage 1974
  93. Lou Reed, A perfect Night, live in London
  94. Lou Reed, Rock N Roll Animal
  95. Lou Reed, Rock n Roll Animal.
  96. Lou Reed, Take No Prisoners
  97. Luke Jackson, Solo, Duo, Trio
  98. Lynyrd Skynyrd, One more from the road
  99. Magazine, Play
  100. Magazine, Play.
  101. Magma, Live
  102. Magma, Live in at the Marquee club 1974
  103. Man, Live at the Padget Rooms, Penarth. 
  104. Manfed Mann, Mann Alive!
  105. Mano Negra,  Live in Kawasaki.
  106. Manu Chao, radio bemba tour
  107. MC5, Kick Out the Jams 
  108. MC5, Kick Out the Jams 
  109. Midnight Oil, Armistice Day, Sydney
  110. Miles Davis, at the Plugged Nickel
  111. Miles Davis, Live-Evil 
  112. Miles Davis, We want Miles
  113. Ministry, In Case You didn’t feel Like showing Up 
  114. Misty in roots, Live at the counter Eurovision
  115. Motörhead, No sleep TIL Hammersmith
  116. Muse, Live at Main Square Festival, 2015
  117. Nanci Griffith, One Fair Summer Evening
  118. Neil Young, Live Rust
  119. New Model Army, Raw melody men
  120. New Model Army, Raw Melody Men
  121. New Order, 316 Taras Shevchenko, 81
  122. Nine Below Zero, Live at the Marquee
  123. Nirvana, Unplugged
  124. Nirvana, Unplugged
  125. Nomeansno, Live and Cuddly
  126. Nomeansno, Live and Cuddly
  127. Opeth, Garden of the Titans 
  128. Ozric Tentacles, Live at Sunrise Festival 2007
  129. Pat Metheny, Travels...
  130. Pendragon, Concerto Maximus
  131. Penguin Cafe Orchestra, When in Rome
  132. Peter Frampton, Frampton Comes Alive
  133. Peter Gabriel, Plays Live
  134. PIL, Paris au Printemps 
  135. Portishead, Roseland New York City
  136. Prince, One Night Alone, Live
  137. Pssyche, Live From Larry's Hideaway/ Toronto/ Canada 9th + 10th August
  138. Public Image Ltd, Paris in the spring
  139. Quicksilver Messenger Service, Maiden Of The Cancer Moon
  140. Rainbow, Live in Japan
  141. Ramones, It's Alive
  142. Ramones, It’s Alive
  143. Ramones, Live At The Rainbow, December 31, 1977
  144. Rezillos, Live and on Fire in Japan (Vinyl Japan, 1994)
  145. Robyn Hitchcock & The Egyptians, Gotta Let This Hen Out
  146. Rodrigo y Gabriella, Live in Japan
  147. Rolling Stones, Get Your Ya Ya's Out
  148. Rory Gallagher, Irish tour 1974.
  149. Rory Gallagher, Live In Europe
  150. Roxy Music, Viva Roxy Music 
  151. Roxy Music; Viva Roxy
  152. Rush, All the world's a stage 
  153. Rush, All The World’s A Stage
  154. Rush, Exit stage left.
  155. Santana, Moonflower
  156. Scorpions, Live in Japan
  157. Sensational Alex Harvey Band, Live
  158. Siouxsie and the Banshees, Nocturne
  159. Siouxsie and the Banshees, Rockpalast 81 
  160. Slayer,  Decade of Aggression
  161. Status Quo, live Apollo Glasgow
  162. Steve Earle, Just an American Boy
  163. Stiff Little Fingers, HANX
  164. Stiff, live stiffs 
  165. Sting, Bring on the Night, Paris, 1979
  166. Stranglers, Live X Cert
  167. Super Furry Animals, Live at the BBC
  168. Supertramp Paris, 
  169. Swans, Omniscience
  170. Talk Talk, Live in London 1986
  171. Talking heads, Stop Making Sense
  172. Talking Heads, The name of this band is Talking Heads
  173. Taste, live at the Isle of Wight
  174. The Band, Rock of Ages
  175. The Birthday Party, Live 
  176. The Cassandra Complex, Feel The Width
  177. The Clash, From Here To Eternity
  178. The Cramps,  The smell of female.
  179. The Cramps, Live at the Peppermint Lounge
  180. The Cure, Bestival
  181. The Cure, Entreat
  182. The Damned, Live Shepperton 1980
  183. The Fall, Fall In A Hole
  184. The Fall, Live at Reykjavik
  185. The Fall, Totale’s Turns
  186. The Jam, Dig the New Breed
  187. The Move, at The Marquee
  188. The Replacements, For Sale, Live at Maxwell's
  189. The Sensational Alex Harvey Band ‘Live'
  190. The Sisters of Mercy, First and Last and Always
  191. The Sound,  Live instinct
  192. The Stranglers, Live (X Cert) 
  193. The Tansads, Drag Down the Moon
  194. The Who, Live at Hull
  195. The Who, Live at Hull 
  196. The Who, Live at Leeds
  197. Theatre of Hate, He who dares wins, live at Leeds warehouse
  198. Theatre of Hate, He who dares, wins
  199. Thee Hypnotics, Live’r than God
  200. Thelonious Monk with Johnny Griffin, Live at the Five Spot.
  201. Thomas Blug, Live in Raalte 
  202. Tim Buckley, Dream Letter
  203. Tindersticks, Live At The Bloomsbury Theatre
  204. Tom Waits, Glitter and Doom 
  205. Toyah, Toyah Toyah Toyah
  206. Traffic, On The Road. 
  207. U.K. Subs, Crash Course
  208. U2, Under a Blood Red Sky
  209. U2, Under a Blood Red Sky
  210. UFO, Strangers In The Night
  211. UK Subs, Crash Course
  212. UK Subs, Crash Course
  213. UK Subs, Gross-Out USA,1984.
  214. Underworld, Everything Everything
  215. Van der Graaf Generator, Vital
  216. Van Morrison, Too late to stop now
  217. Velvet Underground, Live 1969
  218. Velvet Underground, Live 69
  219. Velvet Underground, Matrix Tapes
  220. Vishwa Mohan Bhatt and Ry Cooder, Meeting by the River
  221. Warren Zevon, Stand in the fire
  222. Wings Over America 
  223. Woodentops, Live Hypnobeat
  224. Yardbirds, Five Live 

Friday, 4 August 2017

Ownership, THE biggest issue of the 21 Century

Is ownership THE big issue?
In the UK everyone wants to own everything. Because historically that’s always been the ticket to a fast fortune. Economic reality and the consolidation of wealth into a very few hands has made the prospect of ownership of very much, very unlikely. This is reality for many young people in the UK and beyond. I hear of amazing things that solve the difficulties of ownership through subscription. Take for example the local toy library. Subscribe for a small fee and you don’t have to own all that plastic crap that destroys the planet. Not only that you don’t have to store it all either. This and other examples, Uber etc. led me to question the need to own anything. Could this completely change society?
What if everything was a subscription? Could this take millions of vehicles off the road? Imagine you could summon an autonomous vehicle whenever you needed one. If a limited number of electric vehicles were in constant circulation nearby and efficient. Imagine they had drop off points in or very near the city centres. Could this idea take millions of cars off the road and free up space for pedestrians, cyclists. Could it allow electric vehicles the space to ferry us to the outskirts of cities. Where larger electric coaches or trains wait to take us on longer journeys. Without becoming bogged down in local congestion? Do we need to own the rusty heap of depreciating scrap that sits outside our door for 90% of the time?
How about houses and Living space? Do we need to own them? What if there were large scale not for profit cooperatives that developed houses and communal living spaces. What if you could subscribe to them on a month by month basis for as long as you wanted? Imagine the potential for mobility, and the security this could offer. Imagine the amount of money wasted on ownership that we could recycle into the economy. If humanity cooperatively provided all necessary ( bottom row Maslov) services by subscription. then would a universal income to replace benefits would become a reality for the poor? Could we see what people need to subscribe to and make sure everyone gets it?
It seems bizarre that we can subscribe to a TV package that we don’t need. Whilst we struggle to meet over priced housing costs. Isn’t it time to reorganise the way society views ownership? We are at a pivotal point in the future of our world. We can either continue to destroy it. Or we can adjust our lives to live within our means and the ability of the planet to support us. I’m taken by Kate Raworth’s Donught economics. Can community based, carefully organised, benevolent subscription provide the solution for future one planet living?

Thursday, 1 June 2017

Why project working will be the future of work

One of my favourite analogies when talking about projects is the orchestra. I'll explain why in a few moments. first I want to make the point that project work will be the future of work even within big organisations. Certainly in the world beyond their walls. Organisations will not survive for much longer with massive, multi-layered hierarchies. 
I've helped quite a few projects get off the ground from as a facilitator. I tend not to get involved as project manager as I get bored too quickly. After all everyone knows I can't sit still for two minutes. In my facilitator role I've noticed patterns over time that project managers should avoid if you want success. For example the initial enthusiasm for the project wanes after a while. This is often because people believe that they have to be at every meeting for its duration. This often means sitting through hours of stuff that's totally irrelevant to you before it gets to your (very short) bit. This leaves those professionals who wait to say their piece frustrated and bored. 
Well here's the thing an professional orchestra is full of very skilled individuals. But they don't all play together all of the time. A skilled conductor will bring the instruments in when required at exactly the right moment to play their part. Now clearly the orchestra generally stays put for the rest of the symphony. But for my analogy we'll imagine they can go do something else when they're not required. 
So not everyone all at once! Of course they all play from the same score. And I liken this to the project plan. A good composer will arrange things to make it  easy for the musicians to know exactly whats required. The top line melody works in my mind like the technical plan. With other parts such as the bass clef dovetailing below. This reminds me of the relationship between technical tasks and public engagement for example. The engagement timing and objectives will be different to the technical ones. Consultants and freelancers come in when required not for the whole time. I've sat through some dire meetings in my time but this doesn't have to be the case.
They all play from the same score! The other thing I've noticed over the years is a lack of commitment to see the project through. For an orchestra it is crucial that all the roles filled and they stay through rehearsals right up to performance and possibly beyond. I am staggered at how many people turn up to a project induction and seem surprised when I ask if they can commit to the project. Of course if you get the plan right people are happy because they are not asked to commit to all meetings all the time. So this makes it easier for them to spread their expertise across a range of projects.
The audience are out there eagerly awaiting your performance. Except they're not. Well not if you don't tell them. A good stakeholder engagement plan is vital. That means don't just send out stuff but engage properly (about which I may cover in another blog).
This will be the future of work. It will because people want to work less, that is they want to work in a less structured way. Most people view work negatively. Trapped in the hamster wheel of 9-5. Autonomy over when and how much to work changes lives. Project working, is the answer to this. 
People feel under utilised not stretched or challenged by their work. Project working is also the key to this. When they get involved in a range of projects they are able to use their skills and be rewarded for them. Some projects may be more challenging than others and for the players, even within organisations, this is a good thing
Small project teams of experts work best. A small team of 3 to 5 people is the optimum size. Of course when you need to draft in others to play their part this group can grow and contract. I worked recently on a project with a core team of 3 that were interacting with a partner group of around 35. The key decisions and actions were controlled and maintained by the core 3
Projects end. This is refreshing for the people involved. They work with new folk. They get new opportunities to flourish and they can vote with their feet if they don't fit in.
Great examples are appearing of companies and organisations who work in new ways and epitomise this approach take this feature in Stylist magazine. I love this example. Send me more if you have them.
I've also seen other good analogies for project work, making recipes or building a house. What's yours?

Friday, 24 March 2017

The Organisation is dead! Welcome to the gig and gadfly economy

The organization is dead and this is why 

Competition in the same field will inevitably lead to organizational death for some

I sat at a conference recently listening to representatives from organisations trying to work out how to work together to save the planet and it's endangered species. It was painful, a bit like listening to dinosaurs trying to work out how to avoid extinction. The future of conservation organisations is dire. This is also reflected in the future of many other large institutions. 

The organisation is dead! you heard it here first. 

The point that they seem to have missed is that people are no longer joiners. They no longer want to be part of the grey horde that subscribes to, or works for some archaic behemoth. If you look at social media behaviour people are predominantly gadflies. Yes, the demographic that currently supports environmental organisations might well join them. But the generations following behind them flit from one issue or campaign to the next in the click of a mouse button. What those organisations need to ask is how should we work together within the emergent gig economy to capture the wave of clicktivism? They need to harness the enthusiasm of social movements, they need to be lean and agile in other words adaptable, they need to go where the action is. The modern workforce will abandoned the traditional organisation. More than a third of Americans are already freelance and loving it. They move happily from gig to gig, they do not spend a lifetime devoted to a one trick pony job. If you extrapolate this idea for the modern charity or trust, people do not choose one and stay with it for life. 

Do this now!

When I was a humble undergraduate I joined the green movement at University of Plymouth. It contained and was courted by many of the popular charities and trusts eager to harness the enthusiasm and idealism of youth. To their credit, what came to be known as 'Green Umbrella' took them all onboard, allied itself to none of them and instead campaigned on a new issue each month. Each organisation could put forward a topic, members of the umbrella would vote on which to take forward that month. Serious campaigns followed with a great deal of energy for the month. Students loved it, the variety and currency of issues keep the group fresh and excited.

Is this a way forward for the big organisations?

Maybe but I think they need to drop some old adversarial practices, stop competing and think about how they will work together. I think the big single issue organisations will die, just like Kodak was defeated by digital photography. In many respects this will be a good thing. Diversity is after all what many of them are campaigning for. Lets focus on the problems, prioritise them and then put all of our energy in to a month of serious campaign effort. Could this happen? I suspect not because at present they can't even agree who should be in the room, let alone the issues. RIP organisations, you're too stale, too big and faced with decisions you choose inertia. Stricken by fear of offending the current member demographic and obsessed with staying part of the establishment.

Friday, 25 November 2016

Bristol wins, Douglas McWilliams was right, and why Exeter isn't quite it!

Bristol recognised as the fourth most inspiring City in the World ahead of London, New York and Paris. Take a moment to allow that to sink in. 
A lot of chat has gone on recently about Exeter's potential to achieve and get world recognition for great things. Part of that debate is about how to attract and keep skilled folk, particularly techie's in the city. Many organisations are scratching their heads. Sometimes together and sometimes alone to try and answer this question. In his book the Flat White Economy Douglas McWilliams lays out criteria based on economic data, to create the potential for tech City growth to happen. What surprises me is that some of the key criteria are mostly ignored. This is particularly noticeable here in Exeter. The criteria that attract and keeps techies in a given place include a large element of fun. Yes thats right, fun. Bristol won its award based not on it's ability to provide jobs or cheap housing. It won because it is fun, and has a large and active creative community. Who are recognisable in many cases on the World cultural scene. 
check out the criteria

 Where is Exeter's Banksy, Tricky, Roni Size or Massive Attack? (even these examples are out of date). Where are the cultural centres that would allow such creative talents to flourish? For all it's glitzy shopping arcades Exeter does not have even one 'cool' venue. Or even a decent hangout. The wealthy populate the few places in Exeter that are worth a visit. Not the struggling creatives. Even live music venues have  decreased. The few that remain are overcrowded.  Come on Exeter if you want to attract and keep skilled tech staff and other workers you need to be a lot more Bristol. That means creating serious cultural centres. Cool work hubs for artists and musicians. Theatres, galleries, multiple venues for new bands and much much more. The best things happen where strange worlds collide. Where 'not the usual suspects' meet and discuss and create. Right now in Exeter the same old people are talking to themselves and each other. Then patting themselves on their collective backs. This will change nothing! Exeter needs to be less superficial and much more inspiring. Check out the awards criteria in the link below.
Bristol Award
The Criteria: Here

Sunday, 6 November 2016

Make your messages stick

Clunk click every trip! You've been Tangoed... A quick Google will throw out many more memorable phrases, mostly, but not all used in advertising.If you're pitching or presenting, trying to galvanise an audience to support you or at least sit up and listen then a cool strap line or message is a must. When I pitched the startup weekend I chose 'one big beautiful map' as my line and I got the audience to repeat it back to me. It worked, I got chosen to form a team for the weekend and a great bunch of people got on board.

So how to create a great message?

I love the idea put forward by Martin Turner Chart (Communications micro-strategies, chartered Handbook, CIPR 2015. Chapter 11) he suggests you use the acronym:ICE COLD 
Based on Advertising Standards Authority research 2002 Messages Should be:

  • Informative - people like to hear and act on things that make them more informed
  • Clever - people act and like messages that are clever in an entertaining sense
  • Enter popular culture -  messages that enter daily use multiply their effectiveness (daily use – clunk click)
Chart adds to this:

  • Crisp -  eye takes in 18 letters in one go, the ear is attuned to rhythmic phrases
  • Obviously true -  the message should not need explanation or defence
  • Linger in the mind -  memorable
  • Decisive -  they lead the audience to complete the outcome

Three clear messages in the pitch are the max that people can take in.
I like this because it encourages creativity and allows me to create something memorable and easily repeated. Don't forget clunk click every trip, the future is orange and you can Google it!

Wednesday, 24 August 2016

Changing culture, not easy but the prize is huge!

Want to Change culture? Then change habits.

I get asked a lot, “how can I change the culture in my organisation?” This is probably because I’m obsessed by change in the workplace (see previous posts) and I studied cultural theory along with other things as part of my MA. In a nutshell I believe If you want to change the culture of an organisation you have to change its habits. That is the habitual behaviour of it’s individual people. I always reply that’s not an easy task.
It’s widely written that organisational culture is all about values, behaviours and actions of its staff. Often expressed as the unique social and psychological environment of the organisation’s members. History, technology, strategy, types of employees, management styles, national culture, vision, values, norms and systems all play a part in the creation of culture. Along with symbols, language, assumptions, beliefs that become habits! Phew!
Ravasi and Schulz (2006) described organisation culture as; “a set of shared assumptions that guide what happens in an organisation by defining appropriate behaviour for various situations”. Wow, that’s deep. What’s more staff teach these assumptions and behaviours to new members as a way of perceiving, thinking and feeling. The sum of this is an employee identity that affects how they identify with the organisation. In other words corporate culture.
That’s really profound, and it is reinforced daily so it’s hard to change, a bit like turning the Titanic. I’ve got an old copy of Charles B Handy’s seminal work Understanding Organisations. The first section chapter 7, deals with defining organisational culture in great detail and is still a fabulous read.

So how might we begin to change it?

First read this brilliant blog by Steve Chapman

I thought I might try and list some questions we could ask staff to simplify the process. And I’ve begun to list the areas that change makers need to address with a specific organisation in mind.
Question is where are we now? And where do we want to be? What are the values in that department at present and how do we want them to change? Why do we want to change? Break that down, what are the shared departmental assumptions? What are they based on? What do people do every day? How can we begin to change it? Where do we want to end? What do we want to start?
Although this article by Steve Chapman  focuses on creativity, I believe it contains the essence of how to change culture. Ask difficult questions and prepare for things to break!

Set the scene, take 1

I’m imagining as I think of a specific department in a particular organisation.
I walk into the dept currently in my head. It has an air of formality. Presenteeism matters, what you’re producing doesn’t. It isn’t inviting or interesting to visitors it’s actually intimidating in its blandness. It’s full of perceived stuffy people dressed in the same uniform with their heads down. The hot desks, cleared every evening have zero personality. It doesn’t cross fertilise ideas with anyone outside and the people clearly don’t get out much. This is by design and is reinforced each day by shared habits and behaviours. and a possible shared vision of the rest of the organisation. Possibly world, Gosh, is there a shared ‘world view’ also prevalent here? I’m scared, I’ll run now before my formal meeting, I’m only there for a ten second slot, the rest will be irrelevant to me. Will anyone miss me, last time they were all comatose before my bit. They scoffed at my ideas.
If I sit for a while what behaviour do is see? Men in suits and ties, I was struck in Hamburg recently by the office uniform of middle aged German men, blue shirts beige slacks. What do I see here? Shirts, collars ties, pointy shoes. The women are less formal but not informal and indeed some follow the format. I observe People arrive early, they stay late. They sit in the same locations. the hot desk, open plan vibe encourages no personality of space. It’s quiet, diaries are full of formal back to back meetings with formal agendas. The language is formal and reflects the professional education of the staff members. There is a clear hierarchy. People come and go from meetings. They don’t share information.

Environment & silos of experts

There are so many things here where do I begin? Let’s start with the environment in that office and progress down to the individuals. The organisation shapes the environment of this department. This means it’s open plan and there are no collaborative spaces, you’re not even allowed to stick blue tack on the wall leave alone anything else.

Silo thanks to

People tend to sit within a set group. They can actually sit anywhere they choose but they group naturally. This is ok, and research extols the virtues of silos of experts. They share stuff, have great conversations and can be productive.The open plan hot desk scenario here leads to lack of personalisation. There is evidence that closed work spaces can be more productive. And personal adornment of those areas increases productivity. Essentially as the articles suggest, workspace needs to be flexible. Lets redesign it together to make it more user friendly, suitable for the work to be done and useful for other more collaborative work too.

Bump in and get out more


The other problem with the silo arrangement is that people don’t bump into other silos of experts even those who work in related but different fields. Many books describe the positive effects of bumping into each other. Walter Isaacson’s ‘Innovators’ is a fab book for understanding this. Steve Jobs designed the new HQ of Pixar so that people would bump into each other in the atrium. He designed the environment to make it happen. Knowing that great things would occur and they did.
Co working spaces take this further. (co work hubs in Devon) At the extremes the better ones actively encourage cross fertilisation of ideas. See Impact hubs and their success stories for examples of this. Essentially people should spend 70% of their time outside of their silo. Time to cross that bridge.
Question; how can we redesign the space for quiet silo working with like minded experts. But make this personal space just a safe haven?Question; how can we encourage staff get out seventy percent of their time to a co work space or other professional environment?
In a nutshell go gather pollen from the flowers and bring it back to the hive.

Buckminster Fuller

Whilst we’re at it, take those empty walls, ask who inspires the folks at work there and fill em with pictures. Apparently Ranulph Fiennes was inspired by pictures of explorers on the wall of his family home. Don’t let the images go stale, circulate the images to keep them fresh and put a short description underneath. The department in my head brings pictures of James Lovelock, Heath Robinson, Jony Ive, Mahatma Gandhi, Buckminster Fuller, Petra Kelly and many others to mind. But ask your people and let them bring variety. In a big organisation they could swop occasionally with other departments. On that subject some of their time could be spent in the other department silos. Go forth to shared spaces and communicate. get out more!

Environment done! Getting out more done! What about some personality

So we’ve shaken up the work place and the amount of time spent in it a bit. But we need to bring out the personalities a bit more too. What are we going to do with what we learn from the big outside? Will we discuss it at the end of our rigid formal meeting whilst everyone scoffs? Or will we clear a space in our diaries each day for some informal bumping of ideas?
According to research, 52 minutes is desired as the maximum productive time, but only if we have 17 minutes in between doing something completely off the wall. So let’s use that time for an upload together. Make it a bring and share, bring ideas, learn, read, show videos and put them all to the sword in a public forum. Discuss pros and cons, make it fun. Do this every day. Have expressive space, big whiteboards, pin up spaces etc. People talk about learning and development as though it’s something separate from your work. It should be part of your DNA to learn and take on new ideas and break down old assumptions and do it collectively.

Language and identity

thanks to

This upload forum described above also serves a different special purpose. It begins to attack the assumptions of agreement. It starts to change the dept language. It starts to erode ingrained values and beliefs. It starts to give people personal identities as they emerge from their silos. It can begin to shape how people self-identify. There are swathes of academic writing about identity and I bow to the research of e.g. David Campbell and Ziauddin Sardar. I cannot begin to open this Pandora’s box, but I will say that changing language to suggest activities rather than cultural themes is a good start. Say out loud; I’m an innovator, engineer, creative, environmentalist, maker, writer, photographer. These are positives. Move away from job titles, they’re a bit irrelevant and yesterday. Move away from descriptions like, team leader or manager these are equally unhelpful. Self identity around what you want to do might be nice place to start, e.g. Environmental champion, creative engineer etc. This should become default language, the way you introduce yourself in a speed dating session. A bit like your elevator pitch for yourself. Oh and watch this video it deals with shedding old identities better than I can.

As the language advances and the upload conversations will become more detailed, notions of who do I identify with can come in. Not in a negative way like I’m a facist and all my friends are white supremacists, hell No! More like I’m really into making things, I’m influenced by Michael Reynolds and Geoff ‘Earthship’ Starlington, I like the work of Jony Ive, I follow the philosophy of Buckminster Fuller and Hundertwasser, I listen to Curtis Mayfield and Megadeath. Suddenly each participant in upload develops a personality. Someone recently suggested a bring your personality to work day. Maybe that’s a possible start? Who influences you at work and why? Who influences or inspires you in life and why? What are their values and qualities you admire, have you worked this out? Do you carry this knowledge with you? Do you share it? Go share it now!
So the environment has changed, people are out more and the personalities they bring back begin to emerge now what?

How do we cultivate these changes further?

So identities are not fixed, remind people they can change their nationality, religion, beliefs, gender, sexuality, name, status, geography (urban/rural). All of these cross cutting themes can vary throughout your life! Oh yes they can and do! But try to see people without those labels, it’s really hard and takes practice but it’s worth it. Some organisations manage this, it’s worth taking a long look at them. Ask me for details.
Let’s develop some ideas about culture change a bit more. How are we going to move further together?
Well people can choose their identity and express it and they can choose their actions. They don’t have to conform to organisational assumptions. Move them further, ask them who they identify with? Characters from film or fiction, role models? heroes? Why ask them this? Because I suspect they are a great guide to where people get their ideas and possibly to where they think they’re going, or would like to go. Who influences you? Who do you aspire to be?
How do you want to be seen now, and how do you want to be remembered?
Now we have opened Pandora’s box, we are beginning to change things. People are attempting to express themselves within the new environment and new ideas are forming as a result of the getting out more.

How do we filter those ideas into the work that needs to be done?

Ask questions of each other and ourselves. Why am doing this work? Who else needs to know about it? (Not just the usual suspects our professional partners). Who is working on this stuff as well as me? Originality is very rare, someone is doing your project somewhere else, even fire was discovered in different parts of the world simultaneously. So go find out who you might be able to collaborate, share with, increase value of, learn from. Where shall I go to find out who’s doing this? Can I test it with someone completely different than me? What do I know? Why do I think I know it? What do I want to know? Who’s opinion do I currently value and why? Is that correct?
I’ll say it here and now; it is sharing information that is powerful not keeping it to yourself!

thanks to

Once we work together, we need to create a vision. At present we are here. Where do we want to be? What will it look like? How will we behave? Describe ourselves and the organisation? What will people see, hear, feel when they come to see us? Once you’ve built, collected, asked, advanced, changed the environment you work in. And the way you work, got out more, questioned yourself and others. The culture will begin to change and it will show.
Ponder this scary thought, you’ve changed the culture, collectively and individually. When you finally put your ideas up there, what does it feel like? Ask any artist, writer, film maker, songwriter. Very scary but really exciting. It will be challenging or beautiful but not passive!

So what about habits?

Question: What about habits what have they got to do with it? Habits become what we wear, where we work, how we describe things, what we eat, what we read, the cafe we drink our tea at, the tea we drink (coffee in my case can’t stand tea, was an avid Earl Grey drinker then I stopped and drank coffee instead) our work patterns, how we describe ourselves, how we relate to others. The things that shape the assumptions that lead to the culture of an organisation come down to habits.
Individual habits and they can change. They are the elements of a culture and they are a choice.
Some people say that they are part of our personalities. But if you vary habits and break patterns it can lead to unexpected benefits and adventures and enhanced wellbeing. Imagine the thrill of watching a different soap opera. Get into new characters in a book. Or read different news, possibly with widely varied or opposite views to the ones you habitually follow. Scary but enticing territory. I watched horror films for a while found them challenging and jarring. I went back to my safe zone of crime, but I never quite viewed it in the same way again. I really began to understand why I liked it so much more than horror.

Back to work and culture

Do you wear a suit every day? Or wear one occasionally? If you never do maybe you should. How about you never wear the same twice in two days. Perhaps people will enjoy a guess and wonder what you might wear next. Then go sit in a different place, pick a silo elsewhere. Ask them questions about or related to your work and theirs. People are flattered by questions. Organise a non-traditional meeting, read up on how to do it. Or ask me for help. Yes you can do all of these things in the same day, after all isn’t variety the spice of life?
Change your language, describe your role and yourself differently when asked. Invent a new persona at work, be who you really are. Present your work as you. Ask for critique in a constructive way, or combative if you dare! You’ll never be the same again. Programme your work in a pattern, 50 mins head down, 20 doing something radical. Go work elsewhere, invite others in! Mix your meetings up. Bring in outsiders (shock horror) Let the washing machine engineers meet the fashion designers and together they can design a new car. Read this brilliant article on collaborative culture by Rosie Manning Oh and just read more, its like learning and development only more enjoyable. here’s a great guide to how and why.

Set the scene, take 2

In my mind I walk into the dept, it’s a hive of activity, individuals work here. I know that because no two look alike. They’re in groups or silos huddled together hard at work. Another group are around a display board. They discuss an idea, it’s a challenge to get a word in. When I do I’m accepted, they listen to and record my contribution. The silos break out into a hive of activity. The meeting i attend is brisk, it has objectives and outcomes. People only come in when they’re needed. Not all of the orchestra plays at once! I take actions with deadlines so do others. There’s an acknowledgment we will complete them on time.
A walking meeting passes by deep in conversation. I notice staff have adorned the walls with interesting images. I ponder them whilst I drink my coffee. I go to a different dept and ask what their images are all about. For the next fifty minutes I write my next project overview. I take it out to the display board, colleagues and visitors gather to discuss it, not a suit or tie in sight. The odd pointy shoe here and there and some decent beards but I ignore that and view them as people. I record all of their views and ideas verbatim, they help gel and confirm some of mine. Some are radically different. I make a note to test them against my assumptions.

Borrowed Earthship diagram

I’m off now to work in the DeskLodge Bristol now (or any other co work space you’d like to imagine). I know it’s full of creatives today for a conference. I’m Going to stay for the evening discussions. I will show them my project, I’m scared but excited. Work will never be the same again. I get up excited to cycle in. I’ve got a picture of an Earthship in my bag I’m thinking about building. I want to know what people think, how they would improve it. Tomorrow I’ll work at the science park, see what they think of my latest project. Will it stand up to their scrutiny or will I need to rethink. it feels exciting when I put myself out there. I’m hoping for something innovative. if nothing else it’ll be a challenge, it may be beautiful.
If you want to change your organisation, change the culture. If you want to change the culture change the habits. If you want to make it more diverse, stop trying and change the above two.
NB. I’ve tagged some books and articles I’ve enjoyed, there’s a wealth of research done on this topic too great to mention here. This is simply a blog of my thoughts not an academic paper. Go read more it’s fun! If you want help doing things different ask me.

This blog is also on Medium: 

Monday, 1 August 2016

Where are the future creatives? And what are we doing about it?

Only 1% of people on the internet are creators!
Creative tools past
Its an odd paradox that in an age where we have the most powerful creative tools in our hands most of us use them to do passive tasks. At best we might take a selfie, add a filter and post it in the ether. That is the endless stream of social media. yes we might well look back nostalgically at our efforts. But I suggest there are less and less people able and willing to make a living out of creating. Why is this?
First of all I guess the notion of jobs like photographer, artist, poet, writer, musician. Considered the creative roles appear diluted by digital technology and means of distribution. When I was a teenager if you wanted to take a photograph (my obsession back then), you had to and first save up for a decent camera. Mine was a Zenit E, followed by Canon AE and many more. Also the accessories as you gradually learned the trade of using different lenses for different reasons and flash in the dark etc. If you were a fanatic like me, you but a darkroom with a Durst enlarger. Struggled to create a space of total blackout where you could develop and enlarge your masterpieces. I was told that good print could last a 100 years or more. I wonder what digital archives will be around in 100 years?
Ingrained in that crazy slow learning curve was a desire to capture images that endured and pleased others. And master the techniques of presenting them. To exhibit was to bare your soul. The great and good came from far and wide to see, and if you were lucky purchase your efforts. You would number them to make them even more desirable. Oddly I've noticed a resurgence of people using film recently that might one day return to this situation. But I doubt it.
Like music and writing, the art of photography died with the digital camera. Music struggles on but the means of distribution have rendered earning a living as a musician almost impossible. Art is the last bastion. Struggling in its own way to stand out in the crowded space where social sharing and advertising increasingly co-exist. One in 11 jobs or 8.8 per cent of all UK jobs now falls within the creative economy, and one in six of all UK graduate jobs are also creative economy positionsThis is seen as good, but as work opportunities decline and the traditional notion of work disappears with the coming AI revolution. The percentage is going to have to be a lot bigger! 
Part of developing and autonomous, think on your feet, adaptable workforce is going to be all about stimulating and encouraging creative skills beyond the odd selfie. 
My self with Prisma - 5 mins of effort!
But how? 
At the moment our education system and every other facet of society pushes people towards the traditional view of 9-5 treadmill jobs. The new breed of hamsters, apart from a small minority, seem happy to follow. Disruption is happening in many aspects of society, bitcoin, crowdfunding, crowdsourcing, AI, autonomous vehicles. But not in traditional education. According to many commentators it kills creativity. This is something we need to tackle quickly. Or we will hive our future creatives to mindless silos nose to the grind wheel.
The solution is opening things up, yes even schools and colleges. Oh the risks I hear you scream. But as long as we keep closed systems, closed institutions and closed thinking, we will not stimulate the 'autonomy economy' of future creatives. 
My vision is that the best things happen when strange worlds meet. Co working hubs around the world are demonstrating this almost daily. what we need is to do this earlier, faster and cheaper to enable worlds to collide more often. Creative hubs, freely available to all are the answer. When I was a kid the library was my education, but they are no where  near cool enough anymore. We need spaces that are the epitome of wow. Designed to attract and throw together the cleverest minds of all ages and social strata. No government will support this as this kind of autonomy terrifies them. It is for our generation, those who know how to make stuff, to provide them for the future. 
Some light is starting to appear, we have hubs coming out of our ears in Exeter and conferences too. The problem is they are disparate and not in the centre. There is no one centrally placed Loci, I propose a quiet takeover and I have a target place! Watch this space...